IV Class

It is in the area of class that the caste-like status of the female within patriarchy is most liable to confusion, for sexual status often operates in a superficially confusing way within the variable of class. In a society where status is dependent upon the economic, social, and educational circumstances of class, it is possible for certain females to appear to stand higher than some males. Yet not when one looks more closely at the subject. This is perhaps easier to see by means of analogy: a black doctor or lawyer has higher social status than a poor white sharecropper. But race, itself a caste system which subsumes class, persuades the latter citizen that he belongs to a higher order of life, just as it oppresses the black professional in spirit, whatever his material success may be. In much the same manner, a truck driver or butcher has always his "manhood" to fall back upon. Should this final vanity be offended, he may contemplate more violent methods. The literature of the past thirty years provides a staggering number of incidents in which the caste of virility triumphs over the social status of wealthy or even educated women. In literary contexts one has to deal here with wish-fulfilment. Incidents from life (bullying, obscene, or hostile remarks) are probably another sort of psychological gesture of ascendancy. Both convey more hope than reality, for class divisions are generally quite impervious to the hostility of individuals. And yet while the existence of class division is not seriously threatened by such expressions of enmity, the existence of sexual hierarchy has been re-affirmed and mobilised to "punish" the female quite effectively.

The function of class or ethnic mores in patriarchy is largely a matter of how overtly displayed or how loudly enunciated the general ethic of masculine supremacy allows itself to become. Here one is confronted by what appears to be a paradox: while in the lower social strata, the male is more likely to claim authority on the strength of his sex rank alone, he is actually obliged more often to share power with the women of his class who are economically productive; whereas in the middle and upper classes, there is less tendency to assert a blunt patriarchal dominance, as men who enjoy such status have more power in any case.

It is generally accepted that Western patriarchy has been much softened by the concepts of courtly and romantic love. While this is certainly true, such influence has also been vastly overestimated. In comparison with the candour of "machismo" or oriental behaviour, one realises how much of a concession traditional chivalrous behaviour represents - a sporting kind of reparation to allow the subordinate female certain means of saving face. While a palliative to the injustice of woman's social position, chivalry is also a technique for disguising it. One must acknowledge that the chivalrous stance is a game the master group plays in elevating its subject to pedestal level. Historians of courtly love stress the fact that the raptures of the poets had no effect upon the legal or economic standing of women, and very little upon their social status. As the sociologist Hugo Beigel has observed, both the courtly and the romantic versions of love are "grants" which the male concedes out of his total powers. Both have had the effect of obscuring the patriarchal character of Western culture and m their general tendency to attribute impossible virtues to women, have ended by confining them in a narrow and often remarkably conscribing sphere of behaviour. It was a Victorian habit, for example, to insist the female assume the function of serving as the male's conscience and living the life of goodness he found tedious but felt someone ought to do anyway.

The concept of romantic love affords a means of emotional manipulation which the male is free to exploit, since love is the only circumstance in which the female is (ideologically) pardoned for sexual activity. And convictions of romantic love are convenient to both parties since this is often the only condition in which the female can overcome the far more powerful conditioning she has received toward sexual inhibition. Romantic love also obscures the realities of female status and the burden of economic dependency. As to "chivalry," such gallant gesture as still resides in the middle classes has degenerated to a tired ritualism, which scarcely serves to mask the status situation of the present.

Within patriarchy one must often deal with contradictions which ale simply a matter of class style. David Riesman has noted that as the working class has been assimilated into the middle class, so have its sexual mores and attitudes. The fairly blatant male chauvinism which was once a province of the lower class or immigrant male has been absorbed and taken on a certain glamour through a number of contemporary figures, who have made it, and a certain number of other working-class male attitudes, part of a new, and at the moment, fashionable life style. So influential is this working class ideal of brute virility (or more accurately, a literary and therefore middle-class version of it) become in our time that it may replace more discreet and "gentlemanly" attitudes of the past.

One of the chief effects of class within patriarchy is to set one woman against another, in the past creating a lively antagonism between whore and matron, and in the present between career woman and housewife. One envies the other her "security" and prestige, while the envied yearns beyond the confines of respectability for what she takes to be the other's freedom, adventure, and contact with the great world. Through the multiple advantages of the double standard, the male participates in both worlds, empowered by his superior social and economic resources to play the estranged women against each other as rivals. One might also recognise subsidiary status categories among women: not only is virtue class, but beauty and age as well.

Perhaps, in the final analysis, it is possible to argue that women tend to transcend the usual class stratifications in patriarchy, for whatever the class of her birth and education, the female has fewer permanent class association than does the male. Economic dependency renders her affiliations with any class a tangential, vicarious, and temporary matter. Aristotle observed that the only slave to whom a commoner might lay claim was his woman, and the service of an unpaid domestic still provides working-class males with a "cushion" against the buffets of the class system which incidentally provides them with some of the psychic luxuries of the leisure class. Thrown upon their own resources, few women rise above working class in personal prestige and economic power, and women as a group do not enjoy many of the interests and benefits any class may offer its male members. Women have therefore less of an investment in the class system. But it is important to understand that as with any group whose existence is parasitic to its rulers, women are a dependency class who live on surplus And their marginal life frequently renders them conservative, for like all persons in their situation (slaves are a classic example here) they identify their own survival with the prosperity of those who feed them. The hope of seeking liberating radical solutions of their own seems too remote for the majority to dare contemplate and remains so until consciousness on the subject is raised.

As race is emerging as one of the final variables in sexual politics, it is pertinent, especially in a discussion of modern literature, to devote a few words to it as well. Traditionally, the white male has been accustomed to concede the female of his own race, in her capacity as "his woman" a higher status than that ascribed to the black male. Yet as white racist ideology is exposed and begins to erode, racism's older protective attitudes toward (white) women also begin to give way. And the priorities of maintaining male supremacy might outweigh even those of white supremacy; sexism may be more endemic in our own society than racism. For example, one notes in authors whom we would now term overtly racist, such as D. H. Lawrence - whose contempt for what he so often designates as inferior breeds is unabashed - instances where the lower-caste male is brought on to master or humiliate the white man's own insubordinate mate. Needless to say, the female of the non-white races does not figure in such tales save as an exemplum of "true" womanhood's servility, worthy of imitation by other less carefully instructed females. Contemporary white sociology often operates under a similar patriarchal bias when its rhetoric inclines toward the assertion that the "matriarchal" (e.g. matrifocal) aspect of black society and the "castration" of the black male are the most deplorable symptoms of black oppression in white racist society, with the implication that racial inequity is capable of solution by a restoration of masculine authority. Whatever the facts of the matter may be, it can also be suggested that analysis of this kind presupposes patriarchal values without questioning them, and tends to obscure both the true character of and the responsibility for racist injustice toward black humanity of both sexes.

It is in the area of class that the caste-like status of the female within patriarchy is most liable to confusion, for sexual status often operates in a superficially confusing way within the variable of class. In a society where status is dependent upon the economic, social, and educational circumstances of class, it is possible for certain females to appear to stand higher than some males. Yet not when one looks more closely at the subject. This is perhaps easier to see by means of analogy: a black doctor or lawyer has higher social status than a poor white sharecropper. But race, itself a caste system which subsumes class, persuades the latter citizen that he belongs to a higher order of life, just as it oppresses the black professional in spirit, whatever his material success may be. In much the same manner, a truck driver or butcher has always his "manhood" to fall back upon. Should this final vanity be offended, he may contemplate more violent methods. The literature of the past thirty years provides a staggering number of incidents in which the caste of virility triumphs over the social status of wealthy or even educated women. In literary contexts one has to deal here with wish-fulfilment. Incidents from life (bullying, obscene, or hostile remarks) are probably another sort of psychological gesture of ascendancy. Both convey more hope than reality, for class divisions are generally quite impervious to the hostility of individuals. And yet while the existence of class division is not seriously threatened by such expressions of enmity, the existence of sexual hierarchy has been re-affirmed and mobilised to "punish" the female quite effectively.

The function of class or ethnic mores in patriarchy is largely a matter of how overtly displayed or how loudly enunciated the general ethic of masculine supremacy allows itself to become. Here one is confronted by what appears to be a paradox: while in the lower social strata, the male is more likely to claim authority on the strength of his sex rank alone, he is actually obliged more often to share power with the women of his class who are economically productive; whereas in the middle and upper classes, there is less tendency to assert a blunt patriarchal dominance, as men who enjoy such status have more power in any case.

It is generally accepted that Western patriarchy has been much softened by the concepts of courtly and romantic love. While this is certainly true, such influence has also been vastly overestimated. In comparison with the candour of "machismo" or oriental behaviour, one realises how much of a concession traditional chivalrous behaviour represents - a sporting kind of reparation to allow the subordinate female certain means of saving face. While a palliative to the injustice of woman's social position, chivalry is also a technique for disguising it. One must acknowledge that the chivalrous stance is a game the master group plays in elevating its subject to pedestal level. Historians of courtly love stress the fact that the raptures of the poets had no effect upon the legal or economic standing of women, and very little upon their social status. As the sociologist Hugo Beigel has observed, both the courtly and the romantic versions of love are "grants" which the male concedes out of his total powers. Both have had the effect of obscuring the patriarchal character of Western culture and m their general tendency to attribute impossible virtues to women, have ended by confining them in a narrow and often remarkably conscribing sphere of behaviour. It was a Victorian habit, for example, to insist the female assume the function of serving as the male's conscience and living the life of goodness he found tedious but felt someone ought to do anyway.

The concept of romantic love affords a means of emotional manipulation which the male is free to exploit, since love is the only circumstance in which the female is (ideologically) pardoned for sexual activity. And convictions of romantic love are convenient to both parties since this is often the only condition in which the female can overcome the far more powerful conditioning she has received toward sexual inhibition. Romantic love also obscures the realities of female status and the burden of economic dependency. As to "chivalry," such gallant gesture as still resides in the middle classes has degenerated to a tired ritualism, which scarcely serves to mask the status situation of the present.

Within patriarchy one must often deal with contradictions which ale simply a matter of class style. David Riesman has noted that as the working class has been assimilated into the middle class, so have its sexual mores and attitudes. The fairly blatant male chauvinism which was once a province of the lower class or immigrant male has been absorbed and taken on a certain glamour through a number of contemporary figures, who have made it, and a certain number of other working-class male attitudes, part of a new, and at the moment, fashionable life style. So influential is this working class ideal of brute virility (or more accurately, a literary and therefore middle-class version of it) become in our time that it may replace more discreet and "gentlemanly" attitudes of the past.

One of the chief effects of class within patriarchy is to set one woman against another, in the past creating a lively antagonism between whore and matron, and in the present between career woman and housewife. One envies the other her "security" and prestige, while the envied yearns beyond the confines of respectability for what she takes to be the other's freedom, adventure, and contact with the great world. Through the multiple advantages of the double standard, the male participates in both worlds, empowered by his superior social and economic resources to play the estranged women against each other as rivals. One might also recognise subsidiary status categories among women: not only is virtue class, but beauty and age as well.

Perhaps, in the final analysis, it is possible to argue that women tend to transcend the usual class stratifications in patriarchy, for whatever the class of her birth and education, the female has fewer permanent class association than does the male. Economic dependency renders her affiliations with any class a tangential, vicarious, and temporary matter. Aristotle observed that the only slave to whom a commoner might lay claim was his woman, and the service of an unpaid domestic still provides working-class males with a "cushion" against the buffets of the class system which incidentally provides them with some of the psychic luxuries of the leisure class. Thrown upon their own resources, few women rise above working class in personal prestige and economic power, and women as a group do not enjoy many of the interests and benefits any class may offer its male members. Women have therefore less of an investment in the class system. But it is important to understand that as with any group whose existence is parasitic to its rulers, women are a dependency class who live on surplus And their marginal life frequently renders them conservative, for like all persons in their situation (slaves are a classic example here) they identify their own survival with the prosperity of those who feed them. The hope of seeking liberating radical solutions of their own seems too remote for the majority to dare contemplate and remains so until consciousness on the subject is raised.

As race is emerging as one of the final variables in sexual politics, it is pertinent, especially in a discussion of modern literature, to devote a few words to it as well. Traditionally, the white male has been accustomed to concede the female of his own race, in her capacity as "his woman" a higher status than that ascribed to the black male. Yet as white racist ideology is exposed and begins to erode, racism's older protective attitudes toward (white) women also begin to give way. And the priorities of maintaining male supremacy might outweigh even those of white supremacy; sexism may be more endemic in our own society than racism. For example, one notes in authors whom we would now term overtly racist, such as D. H. Lawrence - whose contempt for what he so often designates as inferior breeds is unabashed - instances where the lower-caste male is brought on to master or humiliate the white man's own insubordinate mate. Needless to say, the female of the non-white races does not figure in such tales save as an exemplum of "true" womanhood's servility, worthy of imitation by other less carefully instructed females. Contemporary white sociology often operates under a similar patriarchal bias when its rhetoric inclines toward the assertion that the "matriarchal" (e.g. matrifocal) aspect of black society and the "castration" of the black male are the most deplorable symptoms of black oppression in white racist society, with the implication that racial inequity is capable of solution by a restoration of masculine authority. Whatever the facts of the matter may be, it can also be suggested that analysis of this kind presupposes patriarchal values without questioning them, and tends to obscure both the true character of and the responsibility for racist injustice toward black humanity of both sexes.